MiTv – Channel Branding
2011 – Televisión Digital Abierta Argentina

Television Digital Abierta contacted us to develop the full branding of their channel. Since this is basically a grid or channel guide, our concept was based on grids and guides for the graphic system.
We developed everything, from the logo to the final piece and the result was a fun, flowing and colorfull branding.

Credits:

Client:
Creative Director: Natalia Giuliano
Producer: Mara Feis

LUMBRE
Creative Director: Sergio Saleh
Executive Producer: Pablo Encabo
Assistant Producer: Evelyn Robayo
Design and Animation: Adriana Campos, Paula Vidal, Andy Cambiasso, Damian Stricker
Sound Design: Emilio Haro

My demoreel 2012 with some projects from earlier years. Details about each project can be found at myshli.com. Feel free to contact me with any propositions or just to say if you liked the reel — danil@myshli.com.

Roles:
0:08 0:13 0:37 0:49 0:59 1:17 1:32 — Intel Ultrabook. Creative direction, Design (Sensitive brands, MYSHLI)
0:10 0:55 1:14 — Mind Factory. Concept, Design, Modeling (RedSquareDesign)
0:12 1:03 1:35 1:43 — Megafon IDs. Creative direction, Design (MIR, N3, McCann Erickson , Nile, MYSHLI)
0:16 0:33 0:41 0:58 1:07 1:09 — Intel Fashion&Tech show. Creative direction, 3D (Sensitive brands, MYSHLI)
0:27 0:53 1:12 1:25 — TNK Pulsar. Creative direction, Design (Nile)
0:29 1:29 — Eurovision. Design, Motion design (RedSquareDesign)
0:31 1:38 1:40 — Nile promo. 3D, Animation (Nile)
1:15 — MTV Movie Awards. Art direction, 3D (Nile)
1:41 — Projectorperishilton. Modeling, Textures (RedSquareDesign)

Editing:
Viktoriya Yakubova

Sound:
Konstantin Chubakov (chubakov.pro)

Special thanks to Ilya Mitroshin (creepingman.livejournal.com) for reel opening illustration.

Project by Daniel Franke & Cedric Kiefer

produced by:
onformative.com
chopchop.cc

Documentation:
vimeo.com/38505448

Music: Machinefabriek “Kreukeltape”
machinefabriek.nu/

The basic idea of the project is built upon the consideration of creating
a moving sculpture from the recorded motion data of a real person. For
our work we asked a dancer to visualize a musical piece (Kreukeltape by
Machinenfabriek) as closely as possible by movements of her body. She was
recorded by three depth cameras (Kinect), in which the intersection of the
images was later put together to a three-dimensional volume (3d point cloud),
so we were able to use the collected data throughout the further process.
The three-dimensional image allowed us a completely free handling of the
digital camera, without limitations of the perspective. The camera also reacts
to the sound and supports the physical imitation of the musical piece by the
performer. She moves to a noise field, where a simple modification of the
random seed can consistently create new versions of the video, each offering
a different composition of the recorded performance. The multi-dimensionality
of the sound sculpture is already contained in every movement of the dancer,
as the camera footage allows any imaginable perspective.

The body – constant and indefinite at the same time – “bursts” the space
already with its mere physicality, creating a first distinction between the self
and its environment. Only the body movements create a reference to the
otherwise invisible space, much like the dots bounce on the ground to give it
a physical dimension. Thus, the sound-dance constellation in the video does
not only simulate a purely virtual space. The complex dynamics of the body
movements is also strongly self-referential. With the complex quasi-static,
inconsistent forms the body is “painting”, a new reality space emerges whose
simulated aesthetics goes far beyond numerical codes.

Similar to painting, a single point appears to be still very abstract, but the
more points are connected to each other, the more complex and concrete
the image seems. The more perfect and complex the “alternative worlds” we
project (Vilém Flusser) and the closer together their point elements, the more
tangible they become. A digital body, consisting of 22 000 points, thus seems
so real that it comes to life again.
text: Sandra Moskova

nominated for the for the MuVi Award:
kurzfilmtage.de/en/competitions/muvi-award/selection.html

see video in full quallity:
daniel-franke.com/unnamed_soundsculpture.mov

HQ Stills
flickr.com/photos/37752604@N05/sets/72157629203600952/

In celebration of its fifth anniversary, award-winning design and digital production company Thornberg & Forester is very proud to unveil a new montage reflecting its evolution and its growing success. Among T&F’s remarkable roster, multi-talented art director and editor Kyle Hurley earns extra credit here for editing the 2012 montage from T&F’s new Hollywood outpost.

This presentation reflects T&F’s strategic collaborations with world-leading agencies including Arnold Worldwide, Barkley and BBDO, as well as award-winning original and commissioned content T&F has created for AICP, Adult Swim, The Cooking Channel, Conde Nast and Fisker Motors, Fox Sports, GE, The GEL Conference, The Hampton’s International Film Festival, InDemand, National Geographic, NBC, Spike TV and Turner Networks, among many others.

T&F exists to bring quality, integrity and innovation to the media landscape. Its team does this by crafting stories and conveying brand messages through the most relevant mediums possible, challenging themselves to leverage both creativity and technology, and above all to genuinely listen to the needs of their client partners and respond with the best solutions for them. With conceptual design as its backbone, its headquarters in Manhattan and an outpost in Hollywood, T&F offers a complete turnkey solution for brilliant end-to-end production through delivery. Many of the firm’s clients worldwide refer to T&F as their secret weapon and it’s time you get in on the secret. To learn more, please visit thornbergandforester.com.

An updated reel hot off the press of Muscle’s edit station.
We have a bunch of juicy new work begging for their moment in the montage, and you’ll find fresh bits sprinkled throughout.

Big thanks to the exceptionally talented and fun, Robert Randolph & the Family Band for their track, “Aint Nothin’ Wrong with That”.

Hello, Savants! is a production company driven by passion for design, illustration, visuals, music and technology.
We’re a collective of long time friends with diverse and complementary skills.
We like to handle all the aspects of production sharing our love for ideas and having fun while doing it.

Something abstract existing in thought or as an idea but not having a physical or concrete existence. Visual geometry containing the non-explicit description of sexual organs or activity. Arising in the mind it intends to stimulate erotic rather than aesthetic or emotional feelings.

GeometricPorn is a project by Luciano Foglia, a multidisciplinary visual artist. He has been working in the design industry for over ten years focusing on interactive design, code based animations and music. His personal time is spent exploring new ways of expression in music and art, working from his studio in London, Hackney Wick.

geometricporn.com

Director: Tomi Di
Executive Producer: Patricio Verdi
Line Producer: Malu Rodriguez, Antonieta Queija
Animation Director: Facundo Laboranti
Art Directors: Juan Casal, Franco Vecchi
Story Board and Animatic: Claudio Iriarte
Character design: Franco Vecchi
Composition: Facundo Laboranti
Art Team: Franco Vecchi , Juan Casal, Rodier Kidmann
3D Animators: Martin Faragasso, Gabriel Quintana, Leo Campasso, Ezequiel Matteo, Cesar Pelizer
Lighting: Ago Carrera
Render: Ago Carrera, Ezequiel Matteo
Textures: Franco Vecchi
Modeling: Guido Lambertini, Franco Vecchi
Mattepaint / backgrounds: Franco Vecchi
2d Fxs: Leo Campasso, Cesar Pelizer
3d Simulation: Ago Carrera
Music: Diego Voloschin

More info and complete portfolio at nandocosta.com

This is a small animation a did as an exercise to experiment and explore all the graphical possibilities of representing the idea of the SPHERE, always thinking in searching Gestalt and form. Its all done in 3d, but i was more interested in the graphical interest, flatten the surfaces, and only two colors, why more.The most difficult was to achieve the transitions between the different type of representation of the sphere, the morphing and metamorphosing.

For the description of the project, all these frames plus the frames from the scenes that weren’t included, visit -behance.net/gallery/Spherikal/3565597

It was all done in Cinema 4d R13, all with the Mograph module. Comositing and post in After Effects

Sound : Brand X Music

by 2veinte

Power vs. style – an international b-boying contest offers plenty character inspiration to drool upon. Mate Steinforth and his Berlin Breakers designed and produced this fly announcement trailer in 2011. Watch the 2012 DC version now.

Client: Red Bull GmbH, Austria

Agency: Kastner & Partners, Frankfurt
Creatives: Thomas Gessner

Production Company: Sehsucht Berlin GmbH & Co. KG
Director: Mate Steinforth
Art Direction: Philipp Brömme, Helge Kiehl
Design: Mate Steinforth, Julius Brockelmann, Jonas Littke, Christian Zschunke, Ronny Schmidt,
3D: Philipp Brömme (lead), Vitaly Grossmann, Ronny Schmidt
Animation: Matthias Knappe, Lars Krüger
2D Animation: Helge Kiehl, Philipp Rudler
Compositing: Helge Kiehl, Christina Agapitou, Christian Zschunke
Producer: Julia Rudloff, Christian Gemeiner
Music & Sound Design: Michael Fakesch

“Evolution” is a motion graphics for Victor Enguix. For more information or contract: victorenguix.com

Music by: Sebastian Ross Ross Ross

© Victor Enguix 2012. All rights reserved.

Author: Peder Norby from Trapcode

Tutorial showing how to create a scene in Cinema 4D and export an OBJ and Cinema’s camera. And import all this in Adobe After Effects so the Cinema render perfectly matches Trapcode Form.

Sorry for my poor C4D skillz!

Note that you need Trapcode Form 2.0.2 to get the “Normalize” checkbox used here.

Justin Bates is a Director & Visual Effects Supervisor currently based in London. Over the last 11 years Justin has designed, directed & produced high-end motion graphics and VFX for a variety of clients including, Adidas, Ford, Sky Sports, Sky One, T4, Gillette, Carlsberg, Cineworld, Learn Direct, Cineworld, Tiger Beer, Wolf Blass and Transport for London, among many others.
His work has also been recognised by The Royal Television Society, Promax / BDA Europe and Promax / BDA International.
For further information please email.
info@justinbates.com

Follow on Twitter: twitter.com/JustinBates_VFX

justinbates.com

Institutional Video for the Open Government Plan of the City of Buenos Aires.

Video institucional para la presentación del Plan de Gobierno Abierto del Gobierno de la Ciudad Autónoma de Buenos Aires.

By Esteban Diacono

Bastiaan Koch – VFX SHOWREEL 2011

Rango (Industrial Light & Magic) – Creature & Environments Modeller (VFX Oscar Winner)
Sunshine (Moving Picture Company) – Model Supervisor
Transformers: Dark of the Moon (Industrial Light & Magic) – Modeller
Transformers: Revenge of the Fallen (Industrial Light & Magic) – Modeller
HellBoyII: The Golden Army (Double Negative) – Creature Model Supervision
Lock’n'Roll – (Marauder FIlm) – VFX Supervisor
Toughest Skin – (Aurora-Lab) – Art Director
The 3rd Letter (Marauder Film) – 3D Supervisor
The Golden Compass (Cinesite-Kodak) – Creature & Environments Modeller (VFX Oscar Winner)
Speed Racer (Digital Domain) – Model and Lighting
The Drummond Will (Marauder Film) – Model Supervisor

Current VFX projects in development:

Battleship (Industrial Light & Magic) – Modeller
Pacific Rim (Industrial Light & Magic) – Modeller
In God We Trust (HithMedia/Marauder Film) – VFX Supervisor
Auroras – (Aurora-Lab/Marauder Film) Art Director
I Want To Kill Everybody In The World (Marauder Film) – VFX Supervision

Director’s Note:
I must pay tribute to the hundreds of talented artists, producers, administrators & technicians that have collaborated to bring these moving-pictures to life; where artists often share ideas, art, designs and digital assets in a very intimate environment. Therefore I must not only credit those people I share these pictures with, but express my gratitude for both the opportunity, privilege and the enchanting experiences that come with working and growing along side such incredible people.

All footage in this demo reel are for promotional purposes only. Personal copyrights include Bastiaan Koch’s directorial work and Marauder Film LLC commercial footage only.
For more information, please visit:

marauderfilm.com

Music credits:
-Greensleeves by King Henry VIII
-Kill Everybody by Skillex
-Mix & Sound Design by Andrew Duncan

RUIN – An animated short set in a post-apocalyptic universe.

Stills, styleframes and more at: polynoid.tv/infiniti-blue-essence

Credits:

Year: 2012
Client: Nissan
Agency: TBWA
Production Company: Passion Pictures Paris

Director: Polynoid
Artists: Fabian Pross, Csaba Letay, Ilija Brunck, Jan Bitzer, Heiko Schneck, Falko Paeper
Sound: Michael Fakesch (michaelfakesch.com)

It is not very often that we have the opportunity to create a graphic equivalent of a drug fueled rant bringing all of our collective skills to bear. And it is almost unfathomable that we could actually do something like this and benefit a good cause.

The Buck team dug deep, channeling our inner gonzo, to direct and produce this homage promoting Good Books, the online bookseller that passes all its profits through to Oxfam. A big thanks to String Theory in NZ for bringing us this script, Antfood for their amazing audio stylings, to Thor for giving his voice and to all the artists who made this something we are proud of.

DISCLAIMER:
What you will see is an entirely fictional and completely unendorsed representation. [Though we humbly suggest Hunter S Thompson might have liked it.] We are devoted fans paying homage. No disrespect is intended.

CREDITS

Directed by Buck
Creative Director: Ryan Honey
Executive Producer: Maurie Enochson
Producers: Nick Terzich, Alyssa Evans, Emily Rickard
Coordinator: Ben Tucker
Associate Creative Director: Joshua Harvey
CG Supervisor: Doug Wilkinson
Animation Director: Steve Day
Art Director: Joe Mullen
Designers: Joshua Harvey, Joe Mullen, George Fuentes, Trevor Conrad, Jenny Ko, Jon Gorman
2D Animators: Joe Mullen, Harry Teitelman, John MacFarlane, Jamal Otolorin, Joshua Harvey, William Trebutien, Matt Everton, Taik Lee, Tristan Balos, Regis Camargo, Kendra Ryan, George Fuentes, Trevor Conrad, Jahmad Rollins, Matthew Wade
3D Artists: Jens Lindgren, Timm Wagener, Kai Wang, Joao Rema, Albert Omoss, Joshua Harvey, Christine Li, Kelsey Charlton, Ana Luisa Santos
Compositors: Nick Forshee, Alex Perry, Joshua Harvey, Joe Mullen, Moses Journey, Matt Lavoy, Jenny Ko, Helen Hsu, Elizabeth Steinberg, Adam Smith

Music and Sound Design: Antfood
Voiceover Artist: Thor Erickson

Software: Flash, After Effects, Maya